24 July 2022

Chiliasm, Totalitarian Cults, and The Pursuit of the Millennium

After many years I finally found the time to read Norman Cohn's The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages first published in 1957. For all the attention this book has received I was quite disappointed.

Cohn's thesis rests on a cobbled together narrative that confuses popular impulse and superstition with religious conviction. He tries to argue that various utopian and chiliastic movements of the medieval period were the cultural and ideological precursors of twentieth century Nazism and Communism.


I immediately thought of authors like Karl Kautsky who attempted to read Marxist impulse back into history. Kautsky is not alone and yet such analogies with the Anabaptists, Waldensians, or Münster are necessarily limited. Rightly identifying the communistic and communitarian motivation to some of these groups, he nevertheless is forced to admit that they did not hold to Marxist orthodoxy and its narratives of class and historical dialectical process. Reading and interpreting history through the lens of dialectical materialism and its related economic ideology, Marxist historians are able to view these groups as precursors, or proto-Marxists in their time. One of the weaknesses of this view (aside from its pure materialism) has always been the tendency to discount religious motivation just as many Christian historians tend to discount social and economic factors and the strength they possess to shape events and even drive ideology. For Christians, Providence must also come into play but the ability to interpret it is limited as a book like Job so clearly demonstrates.

On another level we today have Christo-nationalist writers who confuse Western Liberalism with New Testament Christianity, some of whom read history in a highly disingenuous and anachronistic manner and see proto-patriots, libertarians, and capitalists among the people of the past. One thinks of older Whig histories committed to notions of progress who want to see modern Westerners and would-be good Victorian Englishmen in the various figures associated with Church reform throughout the ages.

With all the hubris and condescension of a modern scholar, and thus operating from the vantage point of opposition and critique, Cohn wants to see proto-Nazis and communists among the various groups such as the Brethren of the Free Spirit, the Flagellants, and some of the tangential crusading groups. In their pursuit of utopia, they instead produced totalitarian orders and thus it could be argued they provided the cultural, intellectual, and ideological seed for these twentieth century regimes.

Popular anti-Semitism and superstitious beliefs regarding rulers like Charlemagne and Frederick Barbarossa are conflated with genuine principled religious conviction regarding ecclesiology, and the nature of Christian ethics (and oftentimes extremism). These questions along with the religious justification for antinomian behaviour are seamlessly interwoven with the motivations and conduct of those who were sincere if sometimes misguided.

Cohn clearly despises these dissident groups and religion in particular and his tone is often mocking. Eager to side with the mainstream institutions of society he doesn't miss a chance to demean these people and this comes across as particularly irritating and wearisome as his thesis falls flat.

In many cases the sentiments and behaviour he cites were not associated with dissident groups at all but instead exhibited popular impulse thus defeating the millennial cult angle of his argument. The book is riddled with errors in fact, association, and interpretation.

He cannot explain all the groups that held similar views in terms of money and power and yet did not fall into utopian traps. He cannot explain the existence of groups that were dissenting and even chiliastic in some cases and yet were not guilty of moral degeneracy, hysteria, or violent rebellion in their quest to establish utopia. The cultic-fringe argument fails as many elements he describes were mainstream and the analogy with modern totalitarian movements fails on multiple points.

He misses the critical reality that the papal dominated medieval order was in many respects itself a form of totalitarianism and many of these groups were marginalised and persecuted because they resisted its authoritarian order and its draconian rule. The persistent episodes and abiding reality of grief, danger, and persecution opened the doors to fanatical expression and though ironic it's not unprecedented to see such groups come full circle and once empowered (in some capacity) become the very kind of oppressors that they once detested – modern Zionist Israel is the most poignant example of this.

Finally, the greatest irony is that he resorts to Marxist and materialist categories to make his case. Because he cannot understand religious motivation and mocks it and is clearly an enemy to all religious belief, he instead falls into modern secularist and even Marxist-inspired categories of interpretation. Everything is economic and sociological. He cannot really see how people are motivated by anything else because their beliefs are tantamount to nonsense, fantasy, and superstition. Their beliefs drive them but since they are irrational expressions he looks for the answers in other sectors such as society and economics.

Though he basically fails to make the argument I expected him to pursue and develop some kind of Nietzschean übermensch analogy as many of these dissenting groups centered on a leader-figure and in some cases this led to a new or recast morality. And yet perhaps Cohn realised this argument is also problematic and he would be guilty of the same kind of false argumentation and leaps in logic that are quick to tie the philosophies of Hegel, Nietzsche, and others to Nazism and Communism. Operating from within the same cultural milieu, there are ties of course but they are tenuous and ambiguous and do not lend to unequivocal comparison and conclusion.

Cohn has missed something even more fundamental. Broken societies generate crisis and 'pendulum swing'-style correctives. In some cases shattered orders and societies in crisis produce monsters – in other cases some groups retreat. One thinks of the warlord culture the developed with the fall of the Western Roman Empire and the rise of monasticism – and perhaps the cult of the papacy.

In our own day one can look at places like Iraq, Syria, and Libya, societies that have been destroyed – leading to the emergence of monsters, sometimes in the form of death cults.

In medieval Europe there were many crises. The Dark Ages (500-1000) were centuries of chaos and instability and thus the 'grounding' figures of Charlemagne and those like him became pillars of stability in the popular mind and thus ultimately became legendary representations of a golden age.

With the stability of the High Middle Ages (1000-1500) came a new set of struggles. There were economic struggles, stagnation, the devastation of plague, corruption, hypocrisy, and finally internal schism as kingdoms turned against each other, and pope and emperor battled as did Guelph and Ghibbelline. The Crusades directed energy and aggression outward but it also brought change. The Imperial Papacy brought about an oppressive order that just added to the angst of the suffering commoner who drowned in a world of sickness, exploitation, and corruption. Later, there were external threats on the Eastern frontier with the campaigns of the Turks. There was a great deal happening but some of the ugliest episodes were the peasant revolts. Bound to fail and thus ultimately suicidal they represented signs of a society askew and in anguish. Today, we tend to look romantically at the great edifices, the castles and cathedrals of the era, but we often tend to forget the suffering and instability of the period and in some cases the sheer numbers of transients on the roads. For many of the downtrodden and regular folk the castles and cathedrals were powerful symbols of the authoritarian system and the violence it harnessed.

The Renaissance and its religious and political cousin, the Magisterial Reformation would drive the death-stakes into this order and terrible wars were unleashed accompanied by the witchcraft craze which reached its peak in the period after the Reformation. Once again, we see a society in tatters and in the Thirty Years War the monsters emerged – some aligning with the Protestant cause, some with the Catholic, some with France, some with no real cause at all. In that period we see that epistemological and ethical collapse (along with rank nihilism) can sometimes hide behind the cloak of religion.

In other cases we see upheaval of the revolutionary sort, a society shattered but then further traumatised and destroyed by an episode of terror – the revolution gone sideways. The French Revolution starts as one thing but then becomes something quite different as the broken institutions are utterly shattered and the breaches cannot be repaired.

Once again we can look at overthrow of Saddam Hussein and the rise of al-Zarqawi and al Qaeda in Iraq, and the later ISIS. In Cambodia, the chaos, instability and illegitimacy of the coup government and the American bombing campaign gave rise to the Khmer Rouge. The chaos of the Russia Revolution gave rise to the Bolsheviks and the collapse of leadership at a critical time led to their own Robespierre-like terror on a magnified scale – the epoch of Stalin and Stalinism.

Cohn's arguments are reductionist and his treatment of the subject is superficial. He rests his argument on sometimes stunning leaps of logic and frankly after reading his narratives one feels his understanding of the subject matter is confused.

Cohn's book was miserable in many respects. The subject matter is of a nature that someone like me is instantly drawn to it but his structuring of arguments, and endless expressions of non sequitir became tiresome. The case is ill made throughout the book and instead relies on a concluding chapter which fails all down the line. With an unproven thesis the narrative collapses and the work loses its value.